Chantal Joffe

Chantal Joffe brings insight and integrity, as well as psychological and emotional depth, to the genre of figurative art. Defined by its clarity, honesty and empathetic warmth, her work is attuned to our awareness as both observers and observed beings, bold and expressive in style yet always questioning, nuanced and emotionally rich.

A primary focus throughout Joffe’s career has been on the women and children in her life, captured at various stages of their own lives. Joffe has talked about her paintings in terms of transitions, those associated with growing and ageing, as well as her attempts to mark a life’s milestones. The complex relationship between mother and child over time has been a significant theme, while self-portraiture, which Joffe considers ‘a way of thinking about time passing’, remains one of the cornerstones of her art.

Whether drawing inspiration from art history, popular culture or personal experiences, Joffe’s paintings are always attentive to narratives about connection, perception and representation. They alert us to the endless intricacies of bodily expression and the myriad ways in which we reveal ourselves and communicate emotion, consciously or otherwise, even in the most private of moments.

About the Artist

Born in 1969, Chantal Joffe lives and works in London. She holds an MA from the Royal College of Art and was awarded the Royal Academy Wollaston Prize in 2006.

Joffe has exhibited nationally and internationally at venues including The Exchange, Penzance, UK (2025); The Fitzwilliam Museum, Cambridge, UK (2023–24); The Modern, Fort Worth, Texas, USA (2022); Koohouse Museum, Yangpyong, Korea (2022); The Irish Museum of Modern Art, Dublin (2021); The Foundling Museum, London, UK (2020); Arnolfini, Bristol, UK (2020); Scottish National Gallery of Modern Art, Edinburgh, UK (2019); Whitechapel Gallery, London, UK (2018); The Lowry, Salford, UK (2018); Royal Academy of Arts, London, UK (2018, 2017); National Museum of Iceland, Reykjavík (2016); National Portrait Gallery, London, UK (2015); Jewish Museum, New York, USA (2015); Jerwood Gallery, Hastings, UK (2015); Collezione Maramotti, Reggio Emilia, Italy (2014–15); Saatchi Gallery, London, UK (2013–14); MODEM, Hungary (2012); Turner Contemporary, Margate, UK (2011); Neuberger Museum of Art, Purchase, New York, USA (2009); MIMA Middlesbrough Institute of Modern Art, UK (2007); Galleri KB, Oslo, Norway (2005) and Bloomberg Space, London, UK (2004).

Her work is in numerous institutional and private collections, including the Institute of Contemporary Art, Boston, USA; Detroit Institute of Arts, USA; The Fitzwilliam Museum, Cambridge, UK; National Portrait Gallery, London, UK; and The Metropolitan Museum of Art, New York, USA among others.

Joffe has created a major public work for the Elizabeth line in London titled A Sunday Afternoon in Whitechapel, on view at Whitechapel Elizabeth line station.